Refine taste profile, add genre taxonomy, and purge failed batch tracks.

Shift lane to Jon Hopkins Singularity and Karsh Kale fusion (not Turkish or slow country homages). Add genres.json, curate Chac's Dub and Frostbite Dub as keepers, export genres on gateway playlist, and trim library to seven tracks after batch cleanup.

Co-authored-by: Cursor <cursoragent@cursor.com>

settings.json

@@ -1,60 +1,71 @@
 {
   "listener": "ozan",
-  "profile_note": "Example taste profile (Ozan / bozanbozkurt Spotify library, built from screenshots in Cursor). Copy this file structure for your own station — see docs/TASTE-FROM-SCREENSHOTS.md.",
+  "profile_note": "Modern electronica meets ethnic fusion — Jon Hopkins Singularity, Karsh Kale, Transglobal Underground. Not Turkish folk. Updated 2026-06-07.",
   "station": "Live Ozan Radio",
   "taste": {
-    "summary": "Anadolu psychedelic rock meets ethnic dubtronica — Turkish psych, dark ether, Sufi electronic, Sahel warmth.",
+    "summary": "Modern electronica meets ethnic fusion — Jon Hopkins Singularity lush synth builds, Karsh Kale tabla breaks, Transglobal dervish-trance. Electronic production first, world percussion and organic colour woven in. Not Turkish folk.",
     "genres": [
-      "anadolu psychedelic rock",
-      "turkish psychedelic rock",
-      "ethnic world",
-      "world dub",
+      "modern electronica",
+      "ambient techno meets world",
+      "ethnic fusion",
+      "dervish trance",
+      "tabla electronica",
+      "asian underground",
+      "global dub",
       "dubtronica",
-      "dark ethereal indie",
-      "sufi electronic",
-      "desert blues",
-      "afro-dub",
-      "middle eastern dub",
+      "world electronica",
+      "cinematic electronic",
       "trip-hop dub"
     ],
     "mood": [
       "hypnotic",
+      "trance-like pulse",
       "warm",
       "spacious",
       "late-night",
       "cinematic gothic",
-      "only lovers left alive",
       "meditative but danceable",
-      "magnum opus slow burn"
+      "euphoric electronic builds",
+      "immersive and cinematic",
+      "cross-cultural blend"
     ],
     "instruments": [
-      "bağlama or saz",
-      "ney flute",
-      "sub bass",
+      "lush synth pads and arpeggiated electronica (Singularity-style)",
+      "tabla and Indian percussion driving the groove",
+      "sitar and synth leads blended",
+      "organic hand percussion meets digital pulse",
+      "oud and kora as colour accents",
+      "sub bass and sidechain warmth",
       "dub delay and spring reverb",
-      "fuzz guitar with middle eastern scales",
-      "hand percussion",
-      "darbuka",
-      "oud",
-      "melancholic piano",
-      "whispered vocal texture",
-      "analog warmth"
+      "wordless vocal textures",
+      "Gregorian-adjacent choral layers (Frostbite lane)",
+      "ceremonial ritual chants (Chac's Dub lane)",
+      "breakbeat or four-on-floor-lite hypnotic pulse",
+      "analog warmth and wide stereo immersion"
     ],
-    "tempo_bpm": [78, 102],
-    "references": "Altın Gün and Cem Karaca Anadolu psych; islandman and Kaya Project ethnic electronic; Thievery Corporation dub lounge; Baaba Maal Sahel; Blanco White melancholic ether; Shye Ben Tzur / Anoushka Shankar fusion; Jon Hopkins texture; Buddha Bar ethnic chill; Mungo's Hi Fi reggae-dub. Profile built from Spotify screenshots via Cursor — see docs/TASTE-FROM-SCREENSHOTS.md.",
+    "tempo_bpm": [90, 124],
+    "references": "Jon Hopkins Singularity — modern electronica with organic world percussion and euphoric synth builds; Karsh Kale Milan (tabla electronica); Transglobal Underground Dervish Trans; Thievery Corporation lounge; Shye Ben Tzur / Anoushka Shankar Indian fusion; Baaba Maal Sahel accent; Glass Beams psychedelic tint. Electronic production leads — world colour is woven in, not folk-first.",
     "avoid": [
+      "Turkish-specific tracks — Ney Vakti, Anatolian night, Ottoman court, bağlama/saz as the identity",
+      "Turkish language lead vocals or Turkish folk melody as the hook",
+      "Anadolu psych or Altın Gün-style as the main flavour",
+      "Indian pop or Rajasthani folk dub — dholak, kartal, sarangi Bollywood-adjacent feel",
+      "Japanese enka shamisen slow-burn under 88 BPM — Kurai Yoru too slow",
+      "Armenian duduk hymn dub — slow mournful sacred chant, Duduk Zomari too slow",
+      "single-country homages of any nation",
+      "lead vocals locked to one national folk tradition",
+      "West African highlife and palm-wine guitar",
+      "slow ney-and-bağlama meditation",
       "big-room EDM drops",
       "four-on-the-floor house",
-      "generic corporate lounge",
-      "overcompressed pop EDM",
       "fuzz electric guitar on griot or lead vocal tracks",
-      "long guitar-only intro before saz or ney enters",
-      "Tinariwen-style electric guitar when listener wants saz-forward Anadolu dub"
+      "sluggish tempo under 88 BPM"
     ]
   },
   "dj": {
     "variety": true,
-    "default_length": "1-2 minutes"
+    "default_length": "1-2 minutes",
+    "prefer_fusion_over_locale": true
   },
   "playback": {
     "shuffle": true,
@@ -71,7 +82,7 @@
   },
   "lyria": {
     "model": "lyria-3-pro-preview",
-    "vocal_mode": "vocals",
+    "vocal_mode": "mix",
     "language": "auto",
     "singer_profile": "male_baritone",
     "output_format": "mp3",