Define techno-ethnic taste lane and notify when generation is ready.

Bonobo, Jamaica dub, Sahara, Mongolia overtone, and Urdu colour in settings and DJ prompts. Generate runs in background with polling, ready toast, optional browser notification, and autoplay of the new track.

Co-authored-by: Cursor <cursoragent@cursor.com>

settings.json

@@ -1,71 +1,67 @@
 {
   "listener": "ozan",
-  "profile_note": "Modern electronica meets ethnic fusion — Jon Hopkins Singularity, Karsh Kale, Transglobal Underground. Not Turkish folk. Updated 2026-06-07.",
+  "profile_note": "Techno-ethnic station — Bonobo, Jon Hopkins, Jamaica dub, Sahel, Mongolia overtone vocals, Urdu colour. Beautiful cross-cultural blends. Not Turkish folk. Updated 2026-06-07.",
   "station": "Live Ozan Radio",
   "taste": {
-    "summary": "Modern electronica meets ethnic fusion — Jon Hopkins Singularity lush synth builds, Karsh Kale tabla breaks, Transglobal dervish-trance. Electronic production first, world percussion and organic colour woven in. Not Turkish folk.",
+    "summary": "Techno-ethnic — beautiful electronica meets world dub. Bonobo lush downtempo, Jon Hopkins Singularity builds, Jamaica spring-reverb dub, Sahara/Sahel warmth, Mongolian overtone throat textures, Urdu vocal colour, Karsh Kale tabla breaks. Many cultures woven into one gorgeous track — not one country alone.",
     "genres": [
+      "techno-ethnic",
+      "ethnic dub",
+      "bonobo-style downtempo electronica",
+      "jamaican dub and reggae-dub",
       "modern electronica",
-      "ambient techno meets world",
-      "ethnic fusion",
-      "dervish trance",
-      "tabla electronica",
-      "asian underground",
+      "sahel desert electronica",
+      "mongolian overtone electronica",
+      "urdu-world fusion",
       "global dub",
       "dubtronica",
-      "world electronica",
-      "cinematic electronic",
-      "trip-hop dub"
+      "trip-hop dub",
+      "tabla electronica",
+      "cinematic electronic"
     ],
     "mood": [
+      "beautiful",
       "hypnotic",
-      "trance-like pulse",
       "warm",
       "spacious",
       "late-night",
-      "cinematic gothic",
+      "lush and melodic",
       "meditative but danceable",
-      "euphoric electronic builds",
-      "immersive and cinematic",
-      "cross-cultural blend"
+      "euphoric builds",
+      "immersive",
+      "cross-cultural wonder"
     ],
     "instruments": [
-      "lush synth pads and arpeggiated electronica (Singularity-style)",
-      "tabla and Indian percussion driving the groove",
-      "sitar and synth leads blended",
-      "organic hand percussion meets digital pulse",
-      "oud and kora as colour accents",
-      "sub bass and sidechain warmth",
-      "dub delay and spring reverb",
-      "wordless vocal textures",
-      "Gregorian-adjacent choral layers (Frostbite lane)",
-      "ceremonial ritual chants (Chac's Dub lane)",
-      "breakbeat or four-on-floor-lite hypnotic pulse",
-      "analog warmth and wide stereo immersion"
+      "lush Bonobo-style synths and melodic electronica",
+      "Jamaica dub — spring reverb, one-drop feel, sub bass culture",
+      "Sahel kora and desert percussion accents",
+      "Mongolian overtone throat singing as wordless texture layer",
+      "Urdu male vocal colour — poetic, not Bollywood pop",
+      "tabla and hand percussion meets digital pulse",
+      "dub delay and tape echo",
+      "Jon Hopkins arpeggiated builds",
+      "organic samples woven through electronic production"
     ],
-    "tempo_bpm": [90, 124],
-    "references": "Jon Hopkins Singularity — modern electronica with organic world percussion and euphoric synth builds; Karsh Kale Milan (tabla electronica); Transglobal Underground Dervish Trans; Thievery Corporation lounge; Shye Ben Tzur / Anoushka Shankar Indian fusion; Baaba Maal Sahel accent; Glass Beams psychedelic tint. Electronic production leads — world colour is woven in, not folk-first.",
+    "tempo_bpm": [88, 118],
+    "references": "Bonobo — lush melodic downtempo, beautiful ethnic electronica; Jon Hopkins Singularity; Jamaica dub (Kingston spring reverb, Mungo's Hi Fi); Baaba Maal / Sahara Sahel warmth; Karsh Kale Milan; Transglobal Dervish Trans; Thievery Corporation; Shye Ben Tzur Urdu-Indian fusion without pop. We are inventing techno-ethnic — electronic beauty first, world voices as colour.",
     "avoid": [
-      "Turkish-specific tracks — Ney Vakti, Anatolian night, Ottoman court, bağlama/saz as the identity",
-      "Turkish language lead vocals or Turkish folk melody as the hook",
-      "Anadolu psych or Altın Gün-style as the main flavour",
-      "Indian pop or Rajasthani folk dub — dholak, kartal, sarangi Bollywood-adjacent feel",
-      "Japanese enka shamisen slow-burn under 88 BPM — Kurai Yoru too slow",
-      "Armenian duduk hymn dub — slow mournful sacred chant, Duduk Zomari too slow",
-      "single-country homages of any nation",
-      "lead vocals locked to one national folk tradition",
-      "West African highlife and palm-wine guitar",
-      "slow ney-and-bağlama meditation",
+      "Turkish folk — Ney Vakti, Anatolian, Ottoman, bağlama/saz as identity",
+      "Indian pop / Rajasthani folk dub",
+      "Japanese enka shamisen slow-burn",
+      "Armenian duduk hymn slow sacred chant",
+      "single-country homages",
+      "slow sluggish tracks under 88 BPM",
+      "West African highlife palm-wine guitar",
       "big-room EDM drops",
       "four-on-the-floor house",
-      "fuzz electric guitar on griot or lead vocal tracks",
-      "sluggish tempo under 88 BPM"
+      "fuzz electric guitar on vocal tracks"
     ]
   },
   "dj": {
     "variety": true,
     "default_length": "1-2 minutes",
-    "prefer_fusion_over_locale": true
+    "prefer_fusion_over_locale": true,
+    "station_mission": "techno-ethnic — Bonobo-beautiful blends across Jamaica, Sahara, Mongolia, Urdu, and beyond"
   },
   "playback": {
     "shuffle": true,