live-radio/songs/manifest.json

{
  "index": 3,
  "count": 4,
  "tracks": [
    {
      "id": "82595273",
      "title": "Caravan of the Blue Hour",
      "mood": "hypnotic, warm, spacious",
      "dj_line": "Late-night dub caravan from the Sahel — let the bass carry you across the dunes.",
      "lyria_prompt": "Create a dubtronica track at 90 BPM in A minor. Start with a deep sub bass and a slow, hypnotic stepper beat with rimshot and kick. Add warm analog spring reverb and delay on a muted guitar skank playing offbeat chords. Layer a melancholic kora melody over a djembe pattern with shakers. Introduce a melodica phrase with heavy delay, floating in the stereo field. Keep the arrangement spacious, with filtered breakdowns and echo drops. No vocals. Reference: Thievery Corporation meets Baaba Maal desert warmth.",
      "lyrics": "[[A0]]\n[[A1]]\n[[A2]]\n[[A3]]\n[[A4]]\n[[A5]]",
      "file": "82595273_Caravan_of_the_Blue_Hour.mp3"
    },
    {
      "id": "eeebb429",
      "title": "Desert Mirage",
      "mood": "hypnotic, warm, late-night desert dub",
      "dj_line": "Sending you a dust-kissed groove from the edge of the dunes — let the delays carry you through the night.",
      "lyria_prompt": "Instrumental dubtronica track at 92 BPM in D minor. Start with a deep, sub-heavy bassline in a slow stepper rhythm. Layer a clean, plucked kora melody with long, spacey reverb and tape delay. Add a muted guitar skank playing offbeat chords with spring reverb. Hand percussion: djembe and shakers playing a relaxed, syncopated pattern. Introduce a melodica line with heavy echo, floating in the mix. Use analog warmth and subtle vinyl crackle. Build slowly, keeping the arrangement open and spacious. No vocals. Structure: intro with bass and percussion, add kora, then guitar, then melodica, then drop to just bass and percussion before returning with all elements. Fade out with delays.",
      "lyrics": "[[A0]]\n[[A1]]\n[[A2]]\n[[A3]]\n[[A4]]\n[[A5]]\n[[B6]]",
      "file": "eeebb429_Desert_Mirage.mp3"
    },
    {
      "id": "1c1d7b8a",
      "title": "Sahara's Saz",
      "mood": "Hypnotic desert dub with Anadolu warmth",
      "dj_line": "Blowing sand and saz strings — a slow burn across the dunes, right here on Live Ozan.",
      "lyria_prompt": "Instrumental. Tempo 85 BPM, key of D minor. Structure: Intro (0-20s: dusty fuzz guitar playing a hypnotic Tinariwen-style riff, darbuka and hand percussion enter softly), Verse (20-50s: sub bass pulse, ney flute melody floating over bağlama/saz arpeggios, dub delay on the flute), Build (50-70s: percussion intensifies, spring reverb swells, whispered vocal textures drift in and out), Drop (70-90s: stripped back to bass and percussion, then re-enter all elements with heavy dub echo), Outro (90-110s: fade out with ney and saz, reverb tail). Instruments: electric guitar (fuzz, middle eastern scales), darbuka, djembe, ney flute, bağlama, sub bass, dub effects (spring reverb, tape delay). Production: warm analog saturation, wide stereo field, late-night intimate feel.",
      "lyrics": "[[A0]]\n[[B1]]\n[[C2]]\n[[D3]]\n[[E4]]",
      "file": "1c1d7b8a_Sahara_s_Saz.mp3"
    },
    {
      "id": "aee4994a",
      "title": "Nomad's Saz",
      "mood": "hypnotic desert dub with Turkish soul",
      "dj_line": "From the Sahara to Anatolia — here's a caravan of warm analog dub.",
      "lyria_prompt": "Instrumental track at 85 BPM, desert blues meets Anadolu psych dub. Tinariwen-style electric guitar playing a slow, hypnotic riff with heavy spring reverb and dub delay. Layered with a darbuka playing a driving but relaxed rhythm, shakers, and hand percussion. A ney flute enters with a melancholic melody. Deep sub bass pulses underneath. A baglama/saz plays a sparse, atmospheric figure. Use warm analog tape saturation, spacious reverb, and subtle echo effects. No vocals. Build slowly, with a sense of nocturnal travel across dunes.",
      "lyrics": "[[A0]]\n[[B1]]\n[[C2]]\n[[B3]]\n[[D4]]\n[[E5]]",
      "file": "aee4994a_Nomad_s_Saz.mp3"
    }
  ]
}