chore(agents): migrate to agents.md protocol — .agents/ wiki/plans/rules/skills

Root AGENTS.md is now a thin entry point + knowledge map; the batch-workflow
detail it duplicated already lived in .claude/skills/animation/SKILL.md.
Folded docs/ (dances registry + iclone-bridge stub), root plans/, and
devops-reports/ into .agents/wiki/ and .agents/plans/ per the per-repo .agents/
convention. Added .agents/SOUL.md, .agents/AGENTS.md, wiki/ARCHITECTURE.md,
wiki/architecture/, and wiki/master-plan.md (derived from the closed plans +
the dance registry's live ceremony-slot table). Fixed doc-path references in
exchange/GUIDE.md, the animation skill, and the iclone-bridge stub. All moves
via mv (git detected as renames) — no content deleted.

Co-Authored-By: Claude Opus 4.8 <noreply@anthropic.com>
This commit is contained in:
2026-07-24 15:02:47 -07:00
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# Dance registry — single source of truth for names
Every dance clip in the pipeline is tracked here. **Numbers are never reused.**
## Naming system
Names follow the **game's item-id convention: lowercase snake_case** (like
`ceremonial_garb`, `dance_platform`, `war_challenge`).
**Stage 1 — provisional (new dances).** Every new take gets the next free `nd_##`
number at conversion time, regardless of what the PC-side export was called:
pack/file `nd_08`, clip `ND08`, dance JSON `nd_08.json`. Variants keep the base id +
suffix: `nd_08_pp` / `ND08PP`. The `nd` prefix means "not yet adopted — subject to
rename or archive". Never name a new dance after its content (a take called
"firedance1" turned out to be dance1's choreography — content-guessed names lie).
**Stage 2 — adopted (chosen for a specific dance ceremony).** Dance codes are the
**game ceremony** the dance belongs to — snake_case of the sim's `DanceType` enum
(`sim/arena/src/GameSystems.cs`) + a two-digit index for multiple takes per ceremony:
pack `war_dance_01`, clip `WarDance01` (PascalCase, matching the enum), dance JSON
`war_dance_01.json`, variants `war_dance_01_pp` / `WarDance01PP`. A take is only
renamed once Jeremy says which ceremony it corresponds to. Rename with:
```bash
/Applications/Blender.app/Contents/MacOS/Blender --background --python tools/rename_clip.py -- \
--src exchange/<dir>/nd08.glb --out exchange/<dir>/haka01.glb --name Haka01
```
…then rename the dance JSON (+ its `name` and `clip` fields) in ariki-game, re-run
`game.sh import`, and `git mv` the old files out. Update the row below.
**Loop rule.** Every adopted dance ships as a PAIR: the base clip (`war_dance_01`) plus its ping-pong loop variant (`war_dance_01_pp` / `WarDance01PP`, baked with `tools/pingpong_bake.py`, must pass `loop_qc.py`). No adoption is complete without the loop.
**Archive.** Rejected/superseded takes move to `archive/` (this repo) and
`archive/dances/` (ariki-game, `.gdignore`d) — never deleted, never renamed.
## Ceremony slots (from the sim's `DanceType` enum + tech tree)
| ceremony code | Age | status | take |
|---|---|---|---|
| `water_dance_01` | 1 | awaiting take | — |
| `fire_dance_01` | 1 | awaiting take | — (the old "firedance1" was mislabeled dance1 choreography) |
| `tide_dance_01` | 1 | ⚠ **no enum entry** | — (no `TideDance` in the sim `DanceType` enum as of 2026-07-23 — confirm with Ozan whether the slot is real before filming a take) |
| `fertility_dance_01` | 1 | **adopted** 2026-07-16 | aloha1 (hula) — shipped with `_pp` loop |
| `food_dance_01` | 1 | awaiting take | — |
| `taming_dance_01` | 1 | **adopted** 2026-07-16 | dance1 — shipped with `_pp` loop |
| `sailing_dance_01` | 2 | awaiting take | — |
| `war_dance_01` | 2 | **adopted** 2026-07-16 | hakadance1 (haka) — shipped with `_pp` loop |
| `building_dance_01` | 2 | awaiting take | — |
| `colony_shield_dance_01` | 2 | awaiting take | — |
| `age_progression_dance_01` | 3 | awaiting take | — (gates Age advancement) |
| `star_watching_dance_01` | 3 | awaiting take | — |
| `rain_dance_01` | 1 | awaiting take | — (tech-tree "Rain Maker"; `RainDance` **is** in the DanceType enum, Age 1 — earlier "not in enum yet" note was wrong, corrected 2026-07-23) |
## Register
| id | status | pack(s) | clip | origin take | notes |
|---|---|---|---|---|---|
| nd_01 | **provisional** | `nd_01`, `nd_01_pp` | `ND01`, `ND01PP` | baraka1 (iClone, 2026-07-21) | 1800f@60; `_pp` loop passes QC (0.00 seam); awaiting ceremony assignment |
| fertility_dance_01 | **adopted** | `fertility_dance_01`, `fertility_dance_01_pp` | `FertilityDance01`, `FertilityDance01PP` | aloha1 (iClone, 2026-07-15) | hula |
| taming_dance_01 | **adopted** | `taming_dance_01`, `taming_dance_01_pp` | `TamingDance01`, `TamingDance01PP` | dance1 (iClone, 2026-07-15) | |
| war_dance_01 | **adopted** | `war_dance_01`, `war_dance_01_pp` | `WarDance01`, `WarDance01PP` | hakadance1 (iClone, 2026-07-15) | haka |
| — | archived | `hakadance2` | `HakaDance2` | hakadance2 | near-duplicate of hakadance1 take family |
| — | archived | `alohaOG` | `AlohaOG` | alohaOG | superseded by aloha1 |
| — | archived | `firedance1` | `FireDance1` | firedance1 | **same choreography as dance1** — mislabeled export |
| — | archived | `hakaOG` | `HakaOG` | hakaOG | near-identical to hakadance1 |
| — | archived | `haka_mocap` | `HakaFull` | MediaPipe video mocap (2026-07-13) | pre-iClone experiment |
Next free provisional number: **nd_02** (nd_01 = baraka1, issued 2026-07-21).
## Boat actions (avatar action clips — direct names, no provisional stage)
Staging prop: `exchange/outgoing-props/boat/boat_prop.fbx` (built by
`tools/export_boat_prop.py`; see its README for iClone import + filming notes).
Cyclic clips (`*_loop`, `*_idle`) must pass `loop_qc.py` before shipping; one-shots
(dive/climb/collect) keep their pelvis translation (game moves the avatar).
| action code | clip | status | notes |
|---|---|---|---|
| `boat_dive` | `BoatDive` | awaiting take | airborne — hand-key/ActorCore or takeoff-only filming |
| `boat_climb` | `BoatClimb` | awaiting take | film over ~0.65 m proxy; Reach-target cleanup |
| `boat_collect` | `BoatCollect` | awaiting take | kneel over gunwale, flotsam grab |
| `boat_row_loop` | `BoatRowLoop` | awaiting take | helm, stern-oar sweep ±18° |
| `boat_fish_loop` | `BoatFishLoop` | awaiting take | Seat_Fisher; coexists with kevin Fishing01_Loop |
| `boat_sail_idle` | `BoatSailIdle` | awaiting take | sway/line-hauling loop |
| *(unregistered)* | `CanoeDismount`, `CanoeSitIdle` | **live in-game** since 2026-07-21 | shipped as `ariki-game/assets/quaternius/dancegen/canoedismount1.glb` (content-guessed name, predates this table) — register under a `boat_*` code at next adoption pass |
| *(unregistered)* | `run_to_dive` | **live in-game** | Mixamo one-off at `ariki-game/assets/quaternius/mixamo/run_to_dive.glb` — outside this pipeline, listed for completeness |
## QC tool split (audit 2026-07-23)
Two QC tools exist and gate different stages — both stay:
- **`tools/loop_qc.py` (this repo)** — the **pre-commit loop gate**: local-rotation pose gap,
velocity gap, root drift; exit 0/1. Every `_pp` (and `*_loop`/`*_idle` boat clip) must pass
it before adoption — this is the "must pass loop_qc" rule above.
- **`ariki-game/tools/anim_qc.py`** — **post-ingest QC** on the game side: world-space seam
position/velocity, mid-clip stutter scan, seam-cross video render for eye review.
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# dance1 — motion description
Kinematic description of the `dance1` clip (`dancegen/dance1.glb`, clip `Dance1`),
derived by sampling world-space bone positions across the whole clip in Blender —
not a subjective guess. Duration **30.0 s**, retargeted onto the Quaternius rig.
## One-line read
An energetic, **arm-forward** full-body dance: big symmetric sweeping arm gestures
carry the performance, over busy footwork and pronounced level changes, while the
whole body ranges around a ~1.2 × 1.7 m footprint. It never settles — continuous,
flowing motion for the full 30 seconds.
## What actually moves (path length over 30 s = how much a joint travels)
| Rank | Body part | Travel | Read |
|---|---|---|---|
| 1 | **Both hands** | ~4950 m each | The stars of the dance — huge, near-constant sweeps |
| 2 | Forearms | ~3233 m | Big arcs from the elbow reinforce the hand work |
| 3 | Shins | ~2526 m | Busy legs — steps, lifts, direction changes |
| 4 | Upper arms / feet | ~1821 m | Full-shoulder arm swings; active but grounded feet |
| 5 | Head / spine / pelvis | ~1617 m | Whole torso rides along — leans and level changes, not stiff |
Hands move at roughly **1.7 m/s average** with constant direction changes, and each
hand's reach spans ~1.72.5 m per axis — meaning full-wingspan sweeps that go both
**high** (≈1.51.7 m vertical range) and **wide**. This is expansive, expressive
upper-body choreography, not tight or contained.
## Character traits
- **Highly symmetric arms** — left/right hand travel matches at a **0.99 ratio**. The
arm choreography is mirrored/synchronized, the hallmark of a choreographed or
group-style routine (consistent with Polynesian dance vocabulary).
- **Slight left-foot bias** — feet symmetry is 0.89 (left foot a bit busier), so the
legwork isn't perfectly mirrored; there's a lead side.
- **Big level changes** — pelvis vertical range is **0.94 m**. The dancer drops and
rises a lot (deep bends / crouches into extensions), which gives the dance its
dynamic, punchy feel rather than staying at one height.
- **Travels the space** — pelvis moves over a **1.2 × 1.7 m** horizontal area (16 m of
total travel), so it's not planted-in-place; expect stepping and repositioning.
## Rhythm / tempo (caveat)
Autocorrelation of the most-active joint's vertical motion peaks around **~205 bpm**,
which is almost certainly the **double-time harmonic** of the real musical pulse —
halving it gives **~100103 bpm**, a lively mid-tempo. Treat this as approximate: the
trustworthy tempo comes from the **source reference video's** music, not the retargeted
motion. The `bpm: 100` in `dance1.json` is a hand-set placeholder that happens to land
in the same neighborhood.
## If scoring a song to it
Aim for a **~100 bpm** groove with a strong backbeat and room for **sweeping,
sustained phrases** (to match the long arm arcs) punctuated by **accents on the level
drops** (the pelvis dips). Symmetric, repeating 4- or 8-bar structures will sit well
against the mirrored, cyclic choreography. Confirm the real tempo against the source
footage before locking it in.
---
*Generated 2026-07-15 from `exchange/converted-glb/dance1.glb` via Blender headless
motion sampling. Method: per-frame world-space bone positions → path length, bounding
range, L/R symmetry, and vertical-signal autocorrelation for tempo.*
@@ -0,0 +1,193 @@
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28,
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31,
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"hand_peak_beats": [
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"phrase_beats": 3,
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"lr_symmetry_hands": 0.9986419895043533,
"lr_symmetry_feet": 0.9833129850891342,
"pelvis_vertical_range_m": 0.41678035259246826,
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"warnings": []
}
@@ -0,0 +1,200 @@
{
"name": "taming_dance_01",
"glb": "exchange/converted-glb/taming_dance_01.glb",
"duration_s": 30.0,
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"warnings": []
}
@@ -0,0 +1,208 @@
{
"name": "war_dance_01",
"glb": "exchange/converted-glb/war_dance_01.glb",
"duration_s": 30.0,
"fps": 24,
"frames": 720,
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